From a ruthless personality, a vulnerable and weak mind, to a walk of shame (a ‘Game of Thrones‘ vibes), Bolanle Austen-Peters’s “House of Ga’a” is a masterpiece showcasing an essential layer of king-making in the Yoruba land and the political drama that comes with it. Bashorun Ga’a was a notable nobleman and leader of the military in the old Oyo Empire during the 18th century from 1650 to 1750.
The producer’s choice of Femi Branch as Bashorun Ga’a is perhaps an eye-opener to the depth of talent embodied by this actor. History shows how Ga’a was a brave and powerful man who was respected and feared by the people of Oyo-Ile for his potent charms and supernatural strength. He was feared to the extent that he became more authoritative than the Alaafin who made him the Bashorun. These traits were established early in this film and that was enough to sustain viewers till the very end. It felt like watching the actual Bashorun Ga’a and not Femi Branch.
It was refreshing seeing Funke Akindele in a different role as Ayinba, reminding film lovers of her talent aside the famous Jenifa character. Just like Funke Akindele, Mike Afolarin also proved some level of versatility as the plot progressed. Sometimes, filmmakers can take a chance with certain actors and you never can tell what surprises await. Bimbo Manuel on the other hand reminded me of Lord Baelish a.k.a Little Finger, master manipulator and it was quite a lovely screen time watching him.
House of Ga’a serves a purpose of historical education for young persons who have no idea about Kingmakers in Yoruba land and it will also serve some political education as to what goes on behind the corridors of power. A president can be elected but answerable to certain people or perhaps the case of the one who pays the piper dictates the tune. Bashorun Ga’a did more using his children and family to control resources for himself. Power corrupts and absolute power corrupts absolutely.
From the opening war scene to the Oyo Mesi, House of Ga’a is quite exceptional with its production design and it shows how Nollywood has mastered that art when it comes to historical epics. The visual effects did not distract in any way but rather boosted the intrigues and suspense expected in such an epic thriller like this.
Bolanle Austen-Peters is fast becoming a force with historical stories – this coming after the successful outing of Funmilayo Ransome-Kuti.
WRITER: ‘Deyemi Olowa
